The Three Tellings of Beowulf’s Fight with Grendel’s Mother
http://www.medievalists.net/2014/01/26/the-three-tellings-of-beowulfs-fight-with-grendels-mother/
By Rosemary HuismanLeeds Studies in English, n.s. 20 (1989)
Introduction: Beowulf offers three descriptions of Beowulf’s fight
with Grendel’s mother. The first is by the narrator (ll. 1492-1590), the
second is by Beowulf to Hrothgar (ll. 1652-76), the third is by Beowulf
to Hygelac (included in ll. 2131-51, within the longer speech from l.
2047). Early (structuralist) studies of narration in English typically
used the word ‘story’ to describe the sequence of events involving
characters which could be abstracted from any specific telling (such as
the story of Beowulf’s fight with Grendel’s mother). The term
‘discourse’ was then contrastively used to describe the specific telling
in the medium language of that story. In that terminology, here in
Beowulf we have three discourses of the one story. In 1955, Leslie
Rogers published an article in the Review of English Studies
entitled ‘Beowulf’s Three Great Fights’. This paper, ‘The Three Tellings
of Beowulf’s Fight with Grendel’s Mother’, is intended to echo that
earlier paper, as befits a student of a teacher, but also to demonstrate
one of the developments in literary discussion over the thirty odd
years since that earlier article was published: the concern with
discourse rather than story.
The trouble with a simple story/discourse opposition is that, if one
equates story and subject-matter, or if one paraphrases story as ‘what
the discourse is about’, then it is obvious that the three passages from
Beowulf are not simply ‘about the same event’. In the first passage,
the narrator tells the reader/listener about Beowulf’s fight with
Grendel’s mother, whereas in the second and third tellings the narrator
tells about Beowulf telling about his fight with Grendel’s mother. The
second and third passages again differ in that the narrator tells of
Beowulf’s telling to different audiences, first to Hrothgar of the
Danes, later to Hygelac, his own lord, of the Geats. These three
tellings illuminate two points, a practical one and a more general,
theoretical one. The practical point, which will be the concern of this
paper, is that dealing with these three accounts allows us to relate
differences in the telling to differences in the social positioning of
tellers and audience.
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